Saturday, June 1, 2013

A Flower Doodle in Process

 

Happy June!  Who can believe it is already here?

Hoping to spend a little more time on this 12 x 12 painting on a panel that I started last weekend. I approached it as nothing more than a doodle.  Beyond this, I'm contemplating doing some paintings on paper again.  It's been a long time since I've painted on paper and I'm thinking some quick, loose works would be good for me.

Thank you for stopping by!


Monday, May 27, 2013

Chevrons in the Fog

 




A rather cold, wet, foggy weekend here, that was filled with extended family, cooking, a couple of walks,
and the beginnings of a new small painting.  I also managed just a smidgen of block printing on some denim from an old pair of jeans that were on their way out the door to a charitable reseller.  Pretty pleased with it, actually, because the "drape" of the soft denim is wonderful.  Of course, you wouldn't find the periodic horizontal marks an a piece printed by a master printer, but the fact of the matter is, I like the interest they add to the pattern.  Our family has consumed so much denim over the years.  Lot's of potential. . . .

Looking for a little inspiration this week? Watch this 4-minute video on Nora Fok, an English artist,originally from Hong Kong, who was shortlisted for the Jerwood Applied Arts Prize in 2007.  Nora creates extraordinary one-off jewelry pieces from plant parts and micro-filament that blur the boundaries between textile art, jewelry and sculpture.   

Hope you're able to fit some creativity into the week ahead!                          

Saturday, May 18, 2013

An Appointment with a Professional Photographer


 "Sienna Square"
 24 x 36


"San Francisco"
30 x 40

I've been concentrating on putting the final touches on several paintings in preparation for my first appointment with a professional photographer.  (Funny how a commitment can do wonders to build a fire under you.)  Yesterday, my sister and I packed close to thirty of my works on canvas into our two cars and headed over to the photographer's warehouse-like studio.  

Of course, this very experienced photographer has his system down to a science, but still, the whole process took about three and a half hours with lots of moving around the space as my sister and I grouped paintings by size and orientation, and he set up the background and lighting, hammered nails into the wall, and moved his tripod back and forth.   After each grouping of similarly-sized paintings was photographed, the photographer and I would move back to his computer and work with adjusting the hue, saturation and lightness in Photoshop, while my sister,-- thank you very much -- packed paintings back into the cars.  I came away with both tiff and jpeg images of each painting; some that were uncropped (i.e., showing the background) for gallery owners, and some that were cropped to show the image, only.  The photographer also created a folder of files formatted to 4"x 6", ready to be printed as postcards. One the best parts of the whole deal??  Images of all of my paintings are now easy to find in two folders on my computer, which is such an improvement over my existing hodgepodge filing system!  Such a time saver for me!

Anyway, the above paintings are not recent, but I've never been able to capture good photographs of them. It's so nice to have these!

Portland is heavy with cloud cover and rain, and lush with foliage and flower.  A nap would be perfect!

Happy weekend!



Wednesday, May 8, 2013

"Bands" In Progress



"Bands" in progress
24 x 30

This painting has existed in my mind for several months now, so I'm happy that it is finally underway.  I'm attempting to achieve some areas of graphic clarity and some of receding vageuness in the composition, which is a current goal that I have in mind for my paintings in general.

In keeping with the palette of this painting, our yard is ablaze with luscious rugosa roses in various shades of pink and cream.   Their scent is heavenly. . . especially in the evening.


Thank you for visiting!



Saturday, April 27, 2013

"The Sentinels" and Judy Hokanson's Mural

 "The Sentinels"
30" x 30"
Acrylic on canvas

Outdoor Mural by Judy Hokanson
(with motorcycle parked in front)


My most recent painting, "The Sentinels", is resting while I continue to contemplate the addition of pencil linear detail.  I like the simplicity and serenity of it the way it is and might decide that it is finished.

Imagine looking for a parking space and coming upon this huge, mural-size painting on canvas.  So amazing!  Although it was not signed, I did a little research and found it had been painted by Portland artist, Judy Hokanson, who sadly, is no longer living.  Such a gift she left for us to behold.  And therein lies the beauty and awesomeness of art:

Art moves spirit through space and time.

So keep making art and beautiful things!


Monday, April 22, 2013

Oh, That Golden Hour of Light!

 

Not much happening around here in the way of art this week. 
But spring cleaning is underway and order is being restored in my home and studio.

And these were the views from my house one evening; with trees silhouetted out front
and trees and sky all aglow out back.
Amazing beauty.

Saturday, April 13, 2013

Sentinels, Remnants and Roots

"Three Sentinels" (Detail)
30" x 30"


 
Remnants


It's been a little quiet in this virtual space.  But I've been keeping up with what's been going on in others' studios by making my rounds of the blogosphere.   And I haven't been totally idle in my own studio.  The detail, above, is of the painting that's currently demanding my focus.  It's a spare, rather minimalist painting at this point; 30" x 30" on wrapped canvas.  I like it spare. It's front and center in my field of vision as I move through our house; with each passing, trying to decide whether to add some graphite line details or leave well enough alone.

My husband's family has deep roots on this Washington peninsula; akin to these old (but shallow) sprawling roots of the spruce tree that might have stood there more than a hundred years ago, before the bay claimed the land. 

"Roots"
Monoprint with vintage stamp
4" x 6" 

I did this monoprint over a year ago, long before I came upon the spruce roots.  Each time I have viewed the print since then, I have rotated it back and forth, vertically, to determine if I liked the image best when it evoked downward or upward growth.  I finally committed to the roots orientation a few weeks ago and added the collage elements.  And then I discovered the gorgeous remnants of the spruce.


Happy Weekend!

 

Tuesday, March 12, 2013

That Diversionary Project



So here's a peek at that little diversionary project that I mentioned in my last post.  I'm not at all sure where I'm headed with this, but so far, it's been fun!

Regarding my painting on the panel, I went through the steps of the decision-making process I mentioned and in the end, decided that simple drafted lines were all that was needed for this graphic piece.  And as for the addition of the waterbased varnish??  It cut the waxy, reflective quality created by the Prismacolor pencils perfectly while leaving a soft look to the surface of the painting.   DONE!





Cheers!